If you would like to enjoy the Gallery of images from this exhibition, please install flashplayer (a free plugin for your browser) and turn on javascript in your browser's preference pane.
This exhibition is organized by the Museum of Fine Arts, Boston, and the Nasher Museum of Art at Duke University, and is supported by an indemnity from the Federal Council on the Arts and the Humanities.
The exhibition is sponsored by:
Additional support provided by the National Endowment for the Humanities, the Homeland Foundation and the National Endownment for the Arts. Official Print Sponsor: News & Observer.
The exhibition and this catalogue are presented with the collaboration of the State Corporation for Spanish Cultural Action Abroad, SEACEX, which is supported by the Spanish Ministry for Foreign Affairs and Cooperation and the Ministry of Culture.
Generous support for the catalogue provided by Scott and Isabelle Black.
Special thanks to the Mary Duke Biddle Foundation; the William R. Kenan Jr. Charitable Trust; the Program for Cultural Cooperation between Spain's Ministry of Culture and United States Universities; the Edward T. Rollins, Jr. and Frances P. Rollins Foundation; the John A. Schwarz III and Anita Erdmans Schwarz Family Endowment; and the Office of the President and the Office of the Provost, Duke University.
The exhibition also received support from Duke University's Department of Art, Art History and Visual Studies, Department of Music, Department of Romance Studies, Department of Theater Studies, John Hope Franklin Humanities Institute, the Office of Public Affairs and Government Relations, Duke Center for Multicultural Affairs, and the Visual Studies Initiative.
Support for the North Carolina Symphony Commission was provided by Drs. Victor S. and Lenore B. Behar; for the UNC-TV documentary project by Marilyn M. Arthur; for the Annual Semans Lecture by the Semans Lecture Series Endowment Fund, and Ruth and Victor Dzau; for the Lender's Event by the Thomas S. Kenan Foundation; and for educational programs by Carolyn Aaronson and Isobel Craven Drill. Additional support was provided by Herman and Eunice Grossman.